(Cornelis van Beverloo)
(1922-2010)
He was born in Liège, Belgium and moved to The Netherlands with his Dutch family at the age of 12 .
There he studied drawing at the Academy of Art in Amsterdam. As a painter he was a self-taught abstract expressionist. Also a printmaker and ceramist.
Later moved to Paris living there until his dead.
I met him a couple of times and I may say that he was an optimist for life. A very kind person, a poet as a painter.
We easily can see that optimism, that joy in his lyrical paintings.
In the early works he had certain affinities with Miró and Klee, but his later works show a departure from this style to, what I may consider, the result of the influence in African Art.
In a single work he comprises, with vibrant colors, birds, cats, plants, exotic symbols and, of course, women. And for Corneille the woman's body is a source of mistery and desire.
He co-founded with Karel Appel and Constant the experimental Reflex group and later, in 1948, the group CoBrA, one of the most significant post-war art movements of the 20th century.
"China Suite V", 2004 |
"Fete nocturne" |
"Dario della Torre II", 2003, acryl op doek |
"Le Divan Blue", 1979 |
"Le Theatre Chiron", 1969 |
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